![]() Decisions must be made -where will everyone sit? Who is the most suitable neighbor for each artist? Which Plate Abilities and Token combinations will best aid the Guests and the table? You’re never stuck, but neither does the pedal ever hit the proverbial metal. A few glasses of wine pass around the table, but where is this going? Then suddenly you’re on to the next course. The first few turns will give you a hanging suspicion that you’re caught in The Discreet Charm of the Bourgeoisie. An entire course can be over in a handful of turns, or if folks linger with Drama and Plate Abilities, perhaps a few more. It is a meal of the most tranquil variety. I really like it, but I say so with several critical observations. Surrealist Dinner Party is, in many ways, unlike any game I’ve played. Once these bonuses are claimed, someone is named the ultimate party host. The only other points come from endgame goals called Faux Pas cards which reward players for eating the most, drinking the most, ruffling the most feathers, or the like. Some reserve their abilities for the moment of the Guest’s departure, others run perpetually, but all add a pinch of flavor.Īs Guests are dismissed and replaced by new Surrealists, any successfully matched Tokens are stashed away to be counted for points after the final course. ![]() Players can exhaust these abilities once during each of the game’s seven courses, opening the door to interesting combinations throughout the game. Sending these Tokens around might just waste a useful spot on a Guest card that keeps them from being fully satisfied.Ī variety of Plate Abilities shake up the game by, for example, introducing extra Tokens from the kitchen or the opportunity to recover from unwanted Drama. By sending out Compliments and Drama, Guests may be receiving something they want… or not. As the various Guests are seated around the silver platter in front of each player, there will be another card on either side, though it may belong to another player. Different surrealist Guests are looking for a bit of a social stir, and these tokens suffice. Seat a Guest in one of three available slots at the silver tray -dismissing another if necessary, Serve one food Token from the tray to a Guest or to simply discard, Send a Compliment or Drama Token to one of your own Guests as well as a neighbor, or Use the Guests’ Plate Abilities.Ĭompliments and Drama function just like the edible Tokens, but rather than coming from the tray they simply waft out from the kitchen. As each course begins, players stock the tray with the various edible bits according to the menu.įor each turn, players choose one of four actions. The aim of the game is for each player to seat and fill up their Guests to send them away satisfied.Ī fourfold menu placard serves as a player aid and a guide to the game, which is broken up into seven courses. Each surrealist card also contains a column of icons matching the various Tokens to indicate their interests at the table and an ability of sorts at the bottom. ![]() The cards feature different artists, masterfully illustrated by Virginia Mori. First time players should roll with the deal, though the preferred method of distributing the cards, by far, is a draft. Tokens representing Wine, Food, Desserts, Compliments, and Drama scatter around the platter.Įach player receives six grossly large cards from the deck of thirty, either by deal or by draft. The centerpiece for this dinner is an obscenely sturdy silver platter from which players will serve their Guests. We met earlier tonight at the party… Dalí! This title from Resonym ( Mechanica, Phantom Ink) is a table upon a table, a dinner party for two to four players to play out at your dinner party. Surrealist Dinner Party, from Mary Flanagan and Max Seidman, attempts to find that happy middle ground upon which the most bizarrely imaginative minds of the last century can enjoy a mildly competitive meal. This senior and perhaps more famous film explores what happens when the hoity and the toity are caged in their all-too-mortal aristocratic deficiencies… and sheep. The second regrettable extreme is that of The Exterminating Angel-the dinner party from which there is no viable escape. One never knows, after all, when the military might come a-knockin’ or a funeral might break out in the next room. Throughout the film, six friends repeatedly attempt to have dinner together, only to battle the most unexpected obstacles. The first regrettable extreme is that of The Discreet Charm of the Bourgeoisie-the dinner party that never gets started. When attempting to pull off a successful dinner party, one would be wise to heed the extremes noted by famed surrealist filmmaker Luis Buñuel and avoid them with diligence.
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